Posted by : Stearns Thursday, June 13, 2013


Like many people, I discovered Arrested Development (AD) years after it was on the air through the DVDs. It quickly became one of my favorite shows. The crazy characters, complexity of the writing, and absurdity of the plot all meshed together to make a very enjoyable viewing experience. As soon as I finished season 3, I scoured the internet looking for any information on the fabled movie that they would be making. At that time it was still in development hell. I waited with baited breath for any trickle of news to come out of the cast and creators. Naturally I was super excited when it was announced that a fourth season was finally going to be made. Netflix and Hulu entered a bidding war for the rights to air the new season, with Netflix (my prefered poison) edging out the competition. And now, at long last the day has arrived! We have new episodes of one of the greatest shows ever.


And it sucks.


Ok, maybe not sucks. That’s a little harsh. But “This season is a great big disappointment” is a phrase I would use. Hell, why not just use it.


This season is a great big disappointment.


On paper it sounds great. All of the original actors have returned and the entire season is dedicated to catching up with our favorite dysfunctional family, the Bluths. There is Jason Bateman as Michael Bluth, Portia de Rossi as Lindsay Bluth Fünke, Will Arnett as Gob Bluth, Michael Cera as George Michael Bluth, David Cross as Tobias Fünke, Alia Shawkat as Maeby Fünke, Tony Hale as Buster Bluth, Jeffrey Tambor as George Bluth Sr, and Jessica Walter as Lucille Bluth. Season 3 ended with the majority of the family splitting up and in disarray. In season 4 each individual episode focuses on a different character and shows us what they were doing in the 5 year gap to present day in the show. The episodes weave in and out of each other and in traditional AD style have complex plots and jokes.


Issues start to arise once this format is put into practice. Having each episode focus on an individual character means that there is greater time invested per character, but there are only a few scenes where the entire family are together. None of these scenes take place in the present day portion of the story. Yes the few scenes that do exist are spread out over the 15 episodes so we are seeing it in many of the episodes, but just seeing a couple more seconds of a flashback per instance is still a noticeable miss. The family just doesn’t feel whole and this is a big problem for me. I know this was part of the intention of the writers to see them apart, but seeing how terrible the Bluths could be to each other while furthering their own selfish needs was a big aspect of the original show. Instead we have a lot of the Narrator (Ron Howard) simply telling us what happens to the family members while we watch them sit around.


There are numerous instances where it becomes very clear that certain cast members weren't there for the production very long. A perfect example of this is in Busters storyline, which is pretty much nonexistent. Buster only pops up in two or three episodes total besides for the large group scenes and then he has 1 episode to himself. However this episode barely connects with the rest of the family. I find that to be very frustrating because Buster is a character that relies on his mother for the majority of his comedy. Having him be separated from her is a big issue and that didn't sit well with me. While the original show was strongest as an ensemble piece, Michael was always the core of the show. However, we only get to see him have one major plot and two sub-plots. This is another example of why having characters only casually drift into each other's episodes is not a good idea. Michael should have had a much larger role in the overall story and I find it shocking that he didn’t.


Another big issue that I found with us with this season is in it’s non-linear, time jumping structure. Now past seasons have used a storytelling device where they reference things that have already happened, often seeing the events in a new light, so this isn’t unprecedented. However, this time around it feels almost as if they are trying to prove that they can still be extra clever in their writing. Because we are jumping back and forth so rapidly, sometimes even within the same episode, it can get very confusing. It would have been much more effective for them to have some sort of distinguishing factor between the individual timelines. For example they could have had a different color tone or use some sort of costume visual indication that this was in the past. A perfect example of when it can get confusing is in Gob’s first episode. The entire episode takes place directly after season 3. By the end, the timeline hasn't caught up with the present day timeline. The episode prior and the episode immediately after Gob’s take place during present-day. I found myself wondering throughout the episode when it was taking place. It wasn’t until Gob’s next story, 4 episodes later, that they clarify what time it is. This was something was hard to wrap my head around and I didn't really enjoy it


Hands down the biggest issue that I had with this season was that it just wasn't funny. A lot of time was spent developing the plot and I feel as if the writers were focusing on this more than simply telling jokes. Now, this isn't necessarily a bad thing if the show is a plot driven drama, but this is supposed to be a comedy. I feel that the writers were focusing too much on trying to get the thick story to cohesively gel and there just wasn't enough room for that many funny situations. Not to say there are no funny situations, they are just few and far between. One successful joke that stands out is Gob’s storyline with Tony Wonder, but I mostly attribute that to Gob being the most ridiculous character. Another joke that really landed for me was when you find out about George Michael rigging his tutor program so he ended up having to be alone in his dorm room with Maeby.


What really is the cherry on the sundae with the numerous plots is that the majority of them don't even get wrapped up in this season. Now I understand that this is supposed to be the first act in a new ongoing storyline, but I didn’t know this going into the season. This is an issue because a lot of the plots are just left hanging mid season and never mentioned again. A perfect example of this would be George senior and Lucilles story of building a wall across the Mexican border using land they thought was in America. This is unceremoniously abandoned about halfway through once George and Lucille are done with their respective episodes and never mentioned again. It’s not like this was some small sub-plot either. This was something that has been built up for a long time. Numerous scenes and episodes were devoted to this and we end on a cliffhanger. And from what I thought going into this season, this was it. This was going to be the last of Arrested Development. Needless to say I was disappointed. It was only after the I had finished watching that I found out they are supposedly planning to do more. Still, that might not even come to pass, so if this is how the series ends it will be horrible . At least when season 3 ended there was some closure. You felt like Michael was going off to start a new chapter of his life and you felt that there was some finality.


I know I been highly critical of this season, but I find the majority of these issues are really exacerbated when you're looking at this season as a whole. Most individual episodes honestly rated between a C- to a B+ plus for me. There really were no outstanding episodes but there were some very bad episodes (the Lindsay ones in particular stand out are big misses.) However like I said the individual episodes were mostly quite good it's only when you look at them as a whole that the cracks really start to form.


Regardless of the overall quality, I think the cast should be commended. They all slip back into the roles effortlessly. Just the fact that it's been so many years since they last played these characters and that they were able to just recapture their voices is a wonderful to watch. Like I said earlier, it's just a shame that they weren't able to play of each other more. It's particularly impressive how the younger cast members, Michael Cera and Alia Shawkat, were able to slip back into the mannerisms of their younger selves as well as show the more mature versions in the later sections. They hit the nail on the head and that was excellent. The amount of guest stars that they managed to pull in is also staggering. It’s a clear testament to the respect that people have for this show that it can get this many people to want to take a part.

Hopefully the future of this show is bright. If these plots do turn out to be all set up for future stories, then maybe I’ll look back at this season with more enthusiasm. For now it just feels like such a missed opportunity. I was hoping for more laughs and for now I hope the future holds them.

{ 1 comments... read them below or add one }

  1. I couldn't disagree more! Some of the best moments of the show came later on in the series, where we find out that something we took for granted a few episodes was totally different than we were led to believe. For example, George Michael isn't surrounded by helpful friends from his new software startup, he actually lives in a neighborhood full of pedophiles who are extra nice to him because of how young he looks! The plot was in many ways necessitated by the production schedule as well; because they had such a hard time getting everyone's schedules to line up, they opted to work within the limitations to get something done and I feel they did a fine job producing "art through adversity." The changes in the show reflect the changes that the characters are at least supposed to have gone through in our absence, but as the dots start to connect toward the end you realize that they're still the same old self-serving manipulative Bluths, and the humor still feels like the same old Arrested Development despite the cosmetic/stylistic changes brought on by time and necessity.

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